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Vanilla Fudge “Renaissance” (1968)

Renaissance has a dense, intense sound that permeates every track. It is an emotional whirlpool – the introspection of “Thoughts”, the triumph of “Thats What Makes A Man”, the bliss of “Paradise”, the desperation of “The Sky Cried When I Was A Boy”, to the utter horror of “The Spell That Comes After”. Played a high volume, the overwhelming climax on “The Spell That Comes After” will plaster you to the back wall whilst the poem in the middle of “Season of the Witch” will make the hairs stand up on the back of your neck. The album has a consistency of style throughout from the opening crash to the spooky whistled signature of “the beat goes on” at the end, always intense and often at the point of mental and physical breakdown. Blistering guitar drenched in Hammond organ pumped through a wall of Leslie speakers backed by one of the best rhythm sections ever, not to mention Mark Stein’s powerful emotional vocal.

No other record sounds like this record, it is truely unique. —Tony

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