It’s the work of Eno and Klaus Schultz fleshed out without ego, for the satisfied id’s of post-rave home listeners. Well, Boards of Canada are actually not those guys, but two fellows from Scotland recording for Warp around the second half of the Nineties on…
Along with the likes of Aphex Twin and contemporaries on the Planet Mu label, Boards of Canada made music that seems to work best before and after dancing, or any space between for that matter. Such is modern life. Prompt command line:
Actually, “Music Has the Right to Children” has a number of sketches as opposed to straight ahead dance tracks like opener “Wildlife Analysis” and “The Color of Fire” that show very different moods using the same equipment. These songs go any direction they please other than directly heavenward.
But don’t get the idea that this is purely ambient swirl working within techno parameters, though. Many of these songs are up front and fully formed, just not quite dance floor optimal. Give “Rue The Whirl” a spin and the downtempo vibe of Boards will be apparent. -Wade