With Spacecraft member John Livengood’s name flung back into consciousness with the Record Store Day vinyl reissue of his and Richard Pinhas’ super-nice 1994 space-rock/ambient album Cyborg Sally, it seems like an opportune time to review Spacecraft’s Paradoxe. Keyboardist Livengood (Red Noise) and guitarist/bassist Ivan Coaquette (Delired Cameleon Family, Musica Elettronica Viva) recorded this deeply underground psych-prog classic in the mid ’70s, and it’s a serious head-bonk. (Spalax reissued it on CD in 1995 with an utterly hypnotic bonus track from 1973, the spaced-out epic “Pays De Glace”; Wah Wah put out a much-needed vinyl edition in 2012.)
One listen to Paradoxe and you wonder why it didn’t make it onto the fabled Nurse With Wound List; perhaps it was too obscure even for Steven Stapleton and company. From the first seconds of the first track, “Lumiere De Lune,” you feel as if you’ve been transported into a much weirder and more interesting sphere, as Spacecraft swathe you in a silvery miasma of interstellar synth and guitar emissions, making gravity seem like an absurd joke. “Cosmic Wheel” really ratchets up the sense of tingling disorientation and intensifies the immersion into alien frequencies. Your DMT trip would be very disconcerting if this were soundtracking it. The synthetic solar winds and chattering guitar pointillism rushing through “Chromatique One’s” sounds like the sort of brain-bending 22nd-century astral jazz that would make Sun Ra squeal with joy.
The cruise-control, star-trekkin’ “Harabizant” could be a higher-altitude Harmonia, while “Surface” writhes and arpeggiates like near-peak Heldon and Lard Free, fellow French explorers of deep space rock and far-out fusion. Coaquette’s guitar solo in the coda is heart-tremblingly gorgeous. Yet for all its sonic treasures, Paradoxe remains largely overlooked. If you’re at all into challenging, instrumental electronic rock, you owe it to yourself to track down this profoundly hallucinogenic zoner. -Buckley Mayfield