The first popular Earth, Wind & Fire album, Open Our Eyes went gold and topped the R&B charts, but Maurice White and company still hadn’t made the leap to superstardom. That would come in 1975 with That’s The Way Of The World, with its hit singles “Shining Star,” “Reasons,” and the title track. But the Chicago group’s fifth LP, Open Our Eyes, represents their last stand of stripped-down funk and R&B before their act inflated to a soul revue for stadia. As such, it’s an interesting transitional work and a solid entry point into the EW&F universe.
White front-loaded the LP with two hits. “Mighty Mighty” is the better of the two: fleet, flinty, feel-good funk that hints at the supernova soul to come soon after. Very much in the vein of early-career Kool & The Gang, the song boasts a chorus (“We are people of the party/party people of the sun.”) that can’t help lifting your spirits. It reached #4 on the US R&B chart, #29 on the singles chart. “Devotion” is a silky Commodores-like ballad that verges on innocuous, although Philip Bailey’s supple falsetto and equally smooth backing falsettos are undeniably sweet. This one reached #33 on the singles chart.
Co-written by Rotary Connection mastermind Charles Stepney, “Fair But So Uncool” rolls out some bittersweet midtempo funk that could’ve comfortably slotted onto Sly & The Family Stone’s Fresh, while “Kalimba Story”’s strutting, coiled funk showcases the titular instrument’s enchantingly wonky metallic timbre. The album’s zenith comes on “Drum Song,” a deep, sinuous, kalimba-enhanced afro-funk jam that sounds nothing like future big-budget EW&F smash “September.” The slow, sleazy funk of “Tee Nine Chee Bit” is the closest EW&F ever came to emulating early Funkadelic and Ohio Players, and therefore is great. The closing title track surprises with its slick, Latin soul-jazz and bubbly scat singing, somehow bringing to mind Santana and early Chicago.
Obviously, Earth, Wind & Fire released a lot of amazing music after Open Our Eyes, but they definitely lost some of the gritty charm exemplified by the best moments of this important 1974 record. -Buckley Mayfield
SAVE THIS DATE: Join us on SATURDAY NOVEMBER 12th, 10-9, for our 16th Anniversary Sale! All used vinyl & CD’s 25% off. All new vinyl 10-20% off! Plus: receive a FREE hand-screened, glow-in-the-dark poster with any purchase. Spend $100 or more and get a special glow-in the dark T-shirt! (While supplies last.)
The Raincoats hold it together just as much as their Delta 5/Au Pairs contemporaries, but the atmosphere provided by The Raincoats is much more melancholic and spacious. Known to many Americans as one of those bands to check off their Kurt Cobain-faves list, this London post-punk group was really one of the most adventurous bands emerging in their day.
While the other popular, predominantly girl bands had punk and funk flair to match or better Gang Of Four, The Raincoats instead went an alternate route, swapping many little instruments that enfolded tentative, folky vocals. The centerpiece is probably “Only Loved At Night,” all chimes, percussion, thumb piano and tinny guitar occasionally punctuated by bass tones.
Each song offers new sounds, new instruments, guest musicians including Robert Wyatt… This is the idea of post-punk as sound-on-record with little regard for continuity. Are you a fan of PiL, early Scritti Politti, the jazz of Art Ensemble Of Chicago and Don Cherry, far-out dub? If that sounds good, and you aren’t a Raincoats yet, this one will do the trick. -Wade
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Some of the feedback we’ve been getting in our store is that some of you on Facebook are no longer seeing our posts as regularly. We still post daily! Facebook requires that you “like” or comment” occasionally so that it knows you wish to see our content. It’s part of their effort to keep your feed relevant to your interests. (Don’t worry we never post spam, and we keep store-related news to bare minimum — it’s all about the music.)
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View covers from our growing collection of Helix, Seattle’s first underground newspaper.
Helix was founded and edited by Paul Dorpat in 1967. Many of the covers were illustrated by Walt Crowley who also served as a writer and co-editor. Its articles were wide-ranging featuring anti-war stories, philosophical ramblings, poetry and artwork. The paper didn’t just cover the scene, it also organized and promoted concerts including the legendary, three-day Sky River Rock Festival in Snohomish County. A total of 125 issues were published before the the paper folded in 1970.
Additional issues would be greatly appreciated. Please contact Jive Time if you have issues to donate, trade or sell. Visit the gallery›
It’s never been a better time to buy used CD’s and DVD’s in Seattle: We’re buying heavier than ever, putting out several hundred killer titles weekly, lowering our base prices up to $2.00 and expanding our popular $3.00 (4 for $10) CD and DVD clearance sections! (Be sure to also check out our huge 99¢ CD section across the street in our Clearance Annex!)