On March 25, 1923 Bonnie Buckingham was born in Seattle WA. As a youn child she was raised in Redondo Beach, a small community about 30 miles south of Seattle. Her family were farmers who were able to weather the depression, unlike many of those in the Midwest who’s crops had been decimated by dustbowl storms and drought. It was a bit later that the Buckingham family moved a short distance to Auburn WA and continued farming. Growing up Bonnie had a fascination with the family guitar, and took every chance she could to take it from it’s hiding place to practice when her parents were away. Her mother had told her that “guitars were for boys”. But Bonnie persisted learning what she could. She recalls regularly climbing trees and pretending they were broadcast towers and she was sending out signals of her miusic to the entire world.
Apparently her parent’s disapproval of girl’s playing guitars did not last long. By the age of 13 she had inherited her two older brothers’ flat top guitar and was appearing at talent shows throughout the Puget Sound region while gaining wider reception. During this period she took on her first stage name-Bonnie Lane. She also began tutoring by local musicians. At the age 16 she was allowed to tour the NW with a country revue and for the next several years she developed her skill at the guitar as well as finding her voice.
Eventually she began travelling to Seattle to be tutored by some of the best players in the city, including Paul Tutmarc. Not only did Bonnie receive lessons, she began to make recordings with Tutmarc in his primitive studio on Pine Street. Tutmarc was 27 years older than Bonnie, but their work had brought them close together. In 1943 Tutmarc divorced his first wife and married Bonnie the following year. They juggled their married and professional lives, along with caring for their daughter Paula (born in 1950) for the next few years, doing Seattle gigs as a duo and finally joining a well-known NW country outfit called the K-6 Wranglers as with a local country outfit called but the couple divorced in 1955, before Bonnie’s wider success.
Around this time Bonnie took on the name she would always be known as- Bonnie Guitar. Bonnie recalls that one day a songwriter approached her with a few songs he wanted her … Read more›
Gary Heffern began his career the late 70’s singing with San Diego punk band The Penetrators alongside Country Dick Montana. Heffern’s done poetry readings with everyone from John Doe, to Nina Hagen, The Art Ensemble of Chicago and Henry Rollins. His first two solo albums ‘Bald Tires in the Rain’ and ‘Painful Days’ have featured some of the incredible cadre of his admirers. John Doe, Mojo Nixon, Country Dick Montana, The Walkabouts, Eddie Vedder of Pearl Jam and Mark Arm of Mudhoney.
Heffern spent a good part of his career as part of the Seattle music scene, but his muse has taken him to Finland, living near the Arctic Circle where an incredible video of his song ‘La La Land’ was shot in 2008. It’s an epic, sad, beautiful, and reflective observation of the fading away of a parent…It’s touching without ever slipping into the sentimentality one would expect.
His album “Consolation” featured a who’s who of American roots music; Steve Berlin of Los Lobos, Alejandro Escovedo, Peter Case, Mark Lanegan, Scott McCaughey (Young Fresh Fellows/R.E.M.) Chris and Carla of The Walkabouts, Jim Roth from ‘Built to Spill‘, and on and on. The depth and breadth of Heffern’s friends and admirers who join him on Consolation and currently as “Gary Heffern And The Beautiful People” and is a continuing testament to his position as an important songwriter whose work rises to the top of the heap.
Seattle rock critic and well-known author Charles R. Cross writes:”In Heffern’s own songs there is a constant struggle between darkness and light, between failed dreams and reckless prayer, between a world where all hope is lost and one where a consoling friend offers a sliver of deliverance. Even on a song as haunting as “(I Am Your) Destroyer” from the album “Consulation” sounds like Iggy Pop could have written it. There is still a core of sweetness among the ruins. “That’s the Beauty (Of the Little Things in Life)” truly rings with a ghost: It was written in Seattle’s Comet Tavern on the very night that Gits’ singer Mia Zapata went missing (and later turned up murdered). Not only a remarkable timepiece, “That’s the Beauty” demonstrates Heffern’s skill at creating a story arc that celebrates the fragility of life at the same time it bemoans it. It’s the kind of re-framing that is uniquely Gary Heffern”.
Aside from his songwriting, albums. online music and … Read more›