Tyner recorded prolifically for Milestone throughout the 1970s, and produced a number of fine recordings. “Sahara” might be the best. It represents the state of the art for the time of its release, 1972.
The greatest strength of this recording lies in its varied aural landscape. If you want Tyner’s signature thunderous chords and lightning right-hand runs, cue up “Ebony Queen” and “Rebirth.” Need some spiritually rich solo piano? Move to “A Prayer for My Family.” Then try the 23-minute title track, which has his reedman, Sonny Fortune, playing flute, his bassist, Calvin Hill, playing reeds, and the group joining drummer Alphonse Mouzon with various percussion effects. As far from a blowing session as you can get, this extended performance is a well-planned trip across a variety of endlessly fascinating terrains. As if all this isn’t enough, on “Valley of Life,” Tyner picks up a kyoto, a Japanese stringed instrument and produces a delicate impressionistic sketch, aided by Fortune, again on flute.
“Sahara” represents the best that jazz had to offer in the early ’70s. The musicians aren’t afraid to display their chops (Fortune adds blazing soprano and alto sax to his delicate work on flute), but Tyner clearly is intent on finding new territory and expanding the definition of jazz, and he succeeds brilliantly. —Tyler