STUDENT NURSE

Years Active

1979 – 1984

Band Members

John Rogers-Drums

Helena Rogers-Lead Guitar, Vocals

Allen Evans-Rhythm Guitar (1979-1980)

William Adams-Bass, Synth (1979-1980)

Eric Muhs-Bass (1980-1984)

Tom Boetcher-Guitar (1981-1984)

Selected Discography

Disco Dog b/w Lies/Snow (7″)-Spunkrock Records (1979)

As Seen On TV (EP)-Rug Records (1980)

Discover Your Feet-Seattle Syndrome Volume One- Engram Records (1981)

Recht Op Staan b/w Electronic Pop Smash (7″)-Pravda Records (1982)

RECHT OP STAAN
STUDENT NURSE

By the early 1980s Student Nurse was a mainstay of the alternative Seattle music scene.  Their angular. slightly dissonant and dance-driven sound set them apart from the darker, punkier and heavier bands they shared bills with.  Bands like Audio Leter, The Fags, Red Dress, and The Refuzors.  Like the best of their contemporaries they honed-in on their particular, unique sound and the band expanded outward, sending them on a trajectory somewhere between subversion and art-damage. Student Nurse started as the brainchild of married couple John Rogers (drums) Helena Rogers (guitar and vocals) along with bassist Joe Harris and rhythm guitarist Al Davis.  In 1979 the band self-released their first single, (“Disco Dog b/w Lies).  The songs stood perilously between weirdness and pop-exactly as the band had anticipated.  One other song from this line-up was included on the ground-breaking “Seattle Syndrome” compilation released on Engram Records in 1981. By that time Harris and Davis had left the band and the jittery guitar leads of Helena Rogers were accompanied by new members guitarist Tom Boetcher and bassist Eric Muhs.  Helena’s vocals were disjointed, pointalist and determined. John’s jazz-influenced drumming and rhythms were the perfect foil to the rest of the band which left the impression the music had fallen on it’s face-in the best possible way. Their next vinyl outing was the one-sided 12″ “As Seen On TV” with individually hand-screened artwork by Helena on the cover-as had been the case with the first single.  This is the kind of stuff collectors drool over nowadays, but Helena and the rest of the band weren’t interested in collectors of the growing market for oddball packaging that would later cater to a pre-manufactured market for Seattle music, and the rest of the alternative/independent scene.  For Student Nurse it was all about the aesthetics and ethics they held. In 1981 Student Nurse entered Triangle Studios-later to become the famed “Reciprocal Recording” where so many other successful bands would record.  The choice of the material for their next single  may have seemed odd, as they chose two of their more accessible songs, the Dutch-lyriced “Recht Op Staan” (“Stand Up Straight” in English-a song referring to the importance of good posture).  The B-side was an instrumental called “Electronic Pop Smash”.  Both choices were designed to catch listeners and fans off-guard.  Maire Masco, one of the heads of Pravda, the label that released “Recht Op Staan” remarked “Who the hell sings a rock song in Dutch? … Read more›

GARY HEFFERN

Years Active

1970’s – present

Selected Discography

Bald Tires In The Rain – Nocturnal Records (1990)

Painful Days – Glitterhouse Records (1995)

Askew – Belltown Records (1997)

Consolation – fin-rosa (2008)

Associated Bands

The Penetrators

The Center For Disease Control Boys

Gary Heffern & The Beautiful People

(I AM YOUR) DESTROYER
GARY HEFFERN

Gary Heffern began his career the late 70’s singing with San Diego punk band The Penetrators alongside Country Dick Montana. Heffern’s done poetry readings with everyone from John Doe, to Nina Hagen, The Art Ensemble of Chicago and Henry Rollins. His first two solo albums ‘Bald Tires in the Rain’ and ‘Painful Days’ have featured some of the incredible cadre of his admirers. John Doe, Mojo Nixon, Country Dick Montana, The Walkabouts, Eddie Vedder of Pearl Jam and Mark Arm of Mudhoney. Heffern spent a good part of his career as part of the Seattle music scene, but his muse has taken him to Finland, living near the Arctic Circle where an incredible video of his song ‘La La Land’ was shot in 2008. It’s an epic, sad, beautiful, and reflective observation of the fading away of a parent…It’s touching without ever slipping into the sentimentality one would expect. His album “Consolation” featured a who’s who of American roots music; Steve Berlin of Los Lobos, Alejandro Escovedo, Peter Case, Mark Lanegan, Scott McCaughey (Young Fresh Fellows/R.E.M.) Chris and Carla of The Walkabouts, Jim Roth from ‘Built to Spill‘, and on and on. The depth and breadth of Heffern’s friends and admirers who join him on Consolation and currently as “Gary Heffern And The Beautiful People” and is a continuing testament to his position as an important songwriter whose work rises to the top of the heap.




Seattle rock critic and well-known author Charles R. Cross writes:”In Heffern’s own songs there is a constant struggle between darkness and light, between failed dreams and reckless prayer, between a world where all hope is lost and one where a consoling friend offers a sliver of deliverance. Even on a song as haunting as “(I Am Your) Destroyer” from the album “Consulation” sounds like Iggy Pop could have written it. There is still a core of sweetness among the ruins. “That’s the Beauty (Of the Little Things in Life)” truly rings with a ghost: It was written in Seattle’s Comet Tavern on the very night that Gits’ singer Mia Zapata went missing (and later turned up murdered). Not only a remarkable timepiece, “That’s the Beauty” demonstrates Heffern’s skill at creating a story arc that celebrates the fragility of life at the same time it bemoans it. It’s the kind of re-framing that is uniquely Gary Heffern”.
Aside from his songwriting, albums. online music and live performances, Gary has also been the subject of Finnish filmmaker Erkki Määttänen’s “Sweet Kisses From Mommy” It recounts Gary’s birth in Finland as Veli-Matti Tervaneimi through his adoption, childhood and renaming and growing up in 1950s and 60s San Diego.… Read more›