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The Byrds “Mr. Tambourine Man” (Columbia, 1965)

MI0000506004The debut album by The Byrds charged forward with that jangly guitar sound, tambourines (of course) and woven harmonies that would become the template for many a folk or heartland rock band. Guitars are intricate with vocals complexly joined, bringing roots to rock format without substantial loss of the prior form.

Whether folkies see their rock and folk union as a watering down of tradition is another matter; as a rock exploration it opened doors. Their work of co-opting Dylan songs may have even helped lead Dylan to pick up an electric guitar, to most of his fans chagrin. But that’s just theorizing, since the only real connection is that this album and his infamous amplified set share the same year in history.

The album itself is in fine stereo presentation, and it sounds pretty close to a document as you’ll get from them before psychedelics and acid rock lead to more adventurous work in a studio vein. You can almost hear it coming in retrospect but with this album you have the best performance culminations of the Beatles and Dylan, with care given to the humble forms they lift up into rock celebrity. -Wade

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