Let’s Take it to the Stage is easily a top-3 Funkadelic album, maybe even the best. It opens with the rocking one-two punch of “Good to Your Earhole” and “Better by the Pound”. I’ve always considered Funkadelic a rock band that is extremely funky, not vice versa, and these two tracks add credence to that way of thinking. Next is “Be My Beach” which is one of the most unique, trippy songs they have ever made. Bootsy’s vocals are fantastic. Fourth is Clinton’s updated take on Sly and the Family Stone’s “Jane is a Groupie”. “No Head, No Backstage Pass” is hilarious, sleazy, biting and to the point. It’s also on the verge of heavy metal, a concept that was being invented by Black Sabbath. Next is the title track which is the biggest “hit” off of the album. Memorable for the funk mob’s playful skewering of their contemporaries, this statement of dominance doesn’t hold up as well, to me, as the wonderfully crafted tunes that surround it. One track that holds up exceedingly well, however, is “Get Off You’re Ass and Jam”. Fueled by Michael Hampton’s frenzied guitar solos, this live staple practically assaults you when you listen to it. Hampton (along with his predecessor and inspiration, Eddie Hazel) still ranks among rock’s greatest guitarists, and his performance on this album is one of the reasons why.
While Let’s Take it to the Stage doesn’t get the recognition of Maggot Brain or One Nation Under a Groove, it is every bit as essential. Clinton and company were at a song-writing apex, giving us several 2-5 minute blasts of brilliance. The assertion that Funkadelic is the “black Beatles” is not far off base. Strip away the psychedelia, the dark humor, the monstrous bass of Bootsy and the general Funkadelic craziness, and you’ve got a perfectly crafted pop album. Of course, strip all of that away, and you don’t have Funkadelic. –Lucas