Syreeta Wright (1946-2004) was a fantastic soul/funk vocalist respected for her releases on Motown and its MoWest subsidiary. Blessed with a dulcet and expressive voice, she worked with her genius ex-husband Stevie Wonder on her best albums: 1972’s Syreeta, 1974’s Stevie Wonder Presents Syreeta, and 1977’s One To One. She also contributed to Stevie’s Where I’m Coming From and Music Of My Mind LPs and to jazz saxophonist Gary Bartz’s Juju Man and Music Is My Sanctuary. Syreeta later worked with Beatles/Rolling Stones auxiliary member Billy Preston on a grip of albums in the late ’70s and ’80s.
Ms. Wright was in the running to replace Diana Ross in the Supremes, but Berry Gordy ultimately went with Jean Terrell. Gordy allegedly changed his mind about this decision, but Supreme Mary Wilson miraculously overruled him. I humbly submit that Syreeta would’ve been a fabulous Supreme.
Anyway, Stevie Wonder was on such a creative hot streak in the first half of the ’70s, he could bestow multiple high-quality albums’ worth of tunes to his former main squeeze and still regularly pop out classics under his own name. Stevie Wonder Presents Syreeta showcases the Motown legend’s ex-partner in spectacular form as both singer and lyricist.
“I’m Goin’ Left” is a wonderful way to start an album, its action-packed R&B buoyed to bubbly panache by drummer Ollie Brown and bassist Reggie McBride’s chemistry and Syreeta’s defiant and saucy vocals. Background vocalists Minnie Riperton, Denice Williams, Lani Groves, Shirley Brewer, and Anita Sherman all shine hard, and Stevie had them in seriously tight formation behind the LP’s main character. The love-drunk orchestral soul ballad “Spinnin’ And Spinnin'” gets vertiginous, thanks to Paul Riser’s swoon-worthy arrangement. “Come And Get This Stuff” showcases the singer’s sexy and funky side, with fab backing-vocal ballast and an intricately nimble McBride bass line to die for.
“Your Kiss Is Sweet” ranks as one of Wonder’s greatest, most joyous creations. It’s an upful quasi-reggae strut that elevates with phantom festive steel drums, jabbing bass, and singing that flaunts Wright’s expansive range and sparkling personality. There’s a good reason Fatboy Slim put it in his LateNightTales mix. If you don’t experience love at first listen, you need to see a doctor. Hell, I may need to go to one to get this super-infectious song out of my head…
The rest of the album can’t live up to “Sweet,” and side 2 dips into the maudlin-ballad bag too often for my taste, including “I Wanna Be By Your Side,” a collab with former Spinners vocalist G.C. Cameron. However, “Cause We’ve Ended As Lovers” attains a tender, rueful sublimity in a saga about remaining friends after a romantic breakup. (Written from bittersweet experience, it seems safe to say.) Syreeta’s at her most Riperton-esque here.
Stevie Wonder Presents Syreeta should’ve made the gifted singer a star, but alas, it only peaked at #116 on the US album chart—though hip-hop producers sure love to sample it. But at least Björk covered it in Icelandic on her 1977 debut album. -Buckley Mayfield
Located in Seattle’s Fremont neighborhood, Jive Time is always looking to buy your unwanted records (provided they are in good condition) or offer credit for trade. We also buy record collections.
