Another record I dismissed on first sight, Cat People has become a go-to, both for Djing and home listening. Although I’ve still never seen the questionable-looking sci-faux film this was made for, it’s almost beside the point. This thing could have been made to soundtrack an instructional guide to the cat’s cradle and it would still rule.
Even if you haven’t seen the film — and heck, if you haven’t, why not? — this is a remarkably satisfying soundtrack album, put together by Jack Nitzsche and featuring Ry Cooder on guitar. (In places this sounds extremely close to Cooder’s own scores, such as for Paris, Texas.) Randy Newman sings “Gone Dead Train” in a much more urgent style than anything on his own early albums, while Mick Jagger’s version of “Memo from Turner” — with Cooder on guitar and members of Traffic — is a gloriously sleazy blues that should be in any Stones fan’s collection. (If you’ve only heard the Stones’ own fumbled version on Metamorphosis — according to legend, deliberately sabotaged by Keith as revenge for Mick screwing Anita Pallenberg on set — you really haven’t heard the song at all.) And how can you pass up a soundtrack that has the good sense to include the Last Poets’ “Wake Up Niggers”? (The first “rap” I’d ever heard.) –Brad
The battle’s over, but the war has just begun… There was only one place any boy in the summer of ’86 wanted to be – in the local multiplex soaking in Transformers: The Movie. Stepped-up animation, Transformers (including the presumedly indestructible Optimus Prime) getting shot and DYING, and bad language, this one promised a full dose of PG thrills. A few decades later, the movie is more of a chore to sit through, but the soundtrack holds up as a snapshot of mid 80’s pre-teen dreamin’. A mix of period AOR, slick metal, and evocative fusion/prog instrumentals, Transformers: The Movie plays up the good guy/bad guy angle with Stan Bush’s amazing double-shot of self-confidence in “The Touch” (reprised by Mark “Marky Mark” Whalberg in Boogie Nights) and “Dare,” while Kick Axe transform into Spectre General to deliver some evil Decepticon rock with “Nothing’s Gonna Stand in Our Way” and “Hunger.” Lion’s metallized version of the classic theme song is a pure laserblast of energy, and NRG’s “Instruments of Destruction” keeps the cannons blazing. Wrap it up with Scotti Bros. pride and joy, “Weird” Al Yankovic doing his best Devo impression on a rallying cry to kids across the country strung out on sugar and Atari, “Dare to be Stupid,” and I’m ready to slap on my Walkman, and hop on the ol’ Huffy BMX for some suburban curb burnin’. Transform and roll out! –Ben
A monument of 70’s soul music that totally eclipsed the film it scores and for good reason as an average film continues to get a lot of attention on the back of this record. While the film seemed to glamorize drug dealing in the black community Curtis told the real and much less appealing truth about his communities struggle against its evils. In doing so he produced a record of real power and one with a bittersweet feel as serious and depressing subject matter is delivered by the delicate almost angelic falsetto. It is up there with the great soul concept LP’s like Marvin Gaye’s “What’s Going On” and Donny Hathaway’s “Extension of a Man” that signaled a major shift in the power of soul and black music in general. –Jon